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Acacia; A very unusual wand wood, which I have found creates tricky wands that often refuse to produce magic for any but their owner, and also withhold their best effects from all but those most gifted. This sensitivity renders them difficult to place, and I keep only a small stock for those witches or wizards of sufficient subtlety, for acacia is not suited to what is commonly known as ‘bangs-and-smells’ magic. When well-matched, an acacia wand matches any for power, though it is often underrated due to the peculiarity of its temperament.

Alder; Alder is an unyielding wood, yet I have discovered that its ideal owner is not stubborn or obstinate, but often helpful, considerate and most likeable. Whereas most wand woods seek similarity in the characters of those they will best serve, alder is unusual in that it seems to desire a nature that is, if not precisely opposite to its own, then certainly of a markedly different type. When an alder wand is happily placed, it becomes a magnificent, loyal helpmate. Of all wand types, alder is best suited to non-verbal spell work, whence comes its reputation for being suitable only for the most advanced witches and wizards.

Apple; Applewood wands are not made in great numbers. They are powerful and best suited to an owner of high aims and ideals, as this wood mixes poorly with Dark magic. It is said that the possessor of an apple wand will be well-loved and long-lived, and I have often noticed that customers of great personal charm find their perfect match in an applewood wand. An unusual ability to converse with other magical beings in their native tongues is often found among apple wand owners, who include the celebrated author of Merpeople: A Comprehensive Guide to Their Language and Customs, Dylan Marwood.

Ash; The ash wand cleaves to its one true master and ought not to be passed on or gifted from the original owner, because it will lose power and skill. This tendency is extreme if the core is of unicorn. Old superstitions regarding wands rarely bear close examination, but I find that the old rhyme regarding rowan, chestnut, ash and hazel wands (rowan gossips, chestnut drones, ash is stubborn, hazel moans) contains a small nugget of truth. Those witches and wizards best suited to ash wands are not, in my experience, lightly swayed from their beliefs or purposes. However, the brash or over-confident witch or wizard, who often insists on trying wands of this prestigious wood, will be disappointed by its effects. The ideal owner may be stubborn, and will certainly be courageous, but never crass or arrogant.

Aspen; Wand-quality aspen wood is white and fine-grained, and highly prized by all wand-makers for its stylish resemblance to ivory and its usually outstanding charmwork. The proper owner of the aspen wand is often an accomplished duellist, or destined to be so, for the aspen wand is one of those particularly suited to martial magic. An infamous and secretive eighteenth-century duelling club, which called itself The Silver Spears, was reputed to admit only those who owned aspen wands. In my experience, aspen wand owners are generally strong-minded and determined, more likely than most to be attracted by quests and new orders; this is a wand for revolutionaries.

Beech; The true match for a beech wand will be, if young, wise beyond his or her years, and if full-grown, rich in understanding and experience. Beech wands perform very weakly for the narrow-minded and intolerant. Such wizards and witches, having obtained a beech wand without having been suitably matched (yet coveting this most desirable, richly hued and highly prized wand wood), have often presented themselves at the homes of learned wandmakers such as myself, demanding to know the reason for their handsome wand’s lack of power. When properly matched, the beech wand is capable of a subtlety and artistry rarely seen in any other wood, hence its lustrous reputation.

Blackthorn; Blackthorn, which is a very unusual wand wood, has the reputation, in my view well-merited, of being best suited to a warrior. This does not necessarily mean that its owner practises the Dark Arts (although it is undeniable that those who do so will enjoy the blackthorn wand’s prodigious power); one finds blackthorn wands among the Aurors as well as among the denizens of Azkaban. It is a curious feature of the blackthorn bush, which sports wicked thorns, that it produces its sweetest berries after the hardest frosts, and the wands made from this wood appear to need to pass through danger or hardship with their owners to become truly bonded. Given this condition, the blackthorn wand will become as loyal and faithful a servant as one could wish.

Black Walnut; Less common than the standard walnut wand, that of black walnut seeks a master of good instincts and powerful insight. Black walnut is a very handsome wood, but not the easiest to master. It has one pronounced quirk, which is that it is abnormally attuned to inner conflict, and loses power dramatically if its possessor practises any form of self-deception. If the witch or wizard is unable or unwilling to be honest with themselves or others, the wand often fails to perform adequately and must be matched with a new owner if it is to regain its former prowess. Paired with a sincere, self-aware owner, however, it becomes one of the most loyal and impressive wands of all, with a particular flair in all kinds of charmwork.

Cedar; Whenever I meet one who carries a cedar wand, I find strength of character and unusual loyalty. My father, Gervaise Ollivander, used always to say, ‘you will never fool the cedar carrier,’ and I agree: the cedar wand finds its perfect home where there is perspicacity and perception. I would go further than my father, however, in saying that I have never yet met the owner of a cedar wand whom I would care to cross, especially if harm is done to those of whom they are fond. The witch or wizard who is well-matched with cedar carries the potential to be a frightening adversary, which often comes as a shock to those who have thoughtlessly challenged them.

Cherry; This very rare wand wood creates a wand of strange power, most highly prized by the wizarding students of the school of Mahoutokoro in Japan, where those who own cherry wands have special prestige. The Western wand-purchaser should dispel from their minds any notion that the pink blossom of the living tree makes for a frivolous or merely ornamental wand, for cherry wood often makes a wand that possesses truly lethal power, whatever the core, but if teamed with dragon heartstring, the wand ought never to be teamed with a wizard without exceptional self-control and strength of mind.

Chestnut; This is a most curious, multi-faceted wood, which varies greatly in its character depending on the wand core, and takes a great deal of colour from the personality that possesses it. The wand of chestnut is attracted to witches and wizards who are skilled tamers of magical beasts, those who possess great gifts in Herbology, and those who are natural fliers. However, when paired with dragon heartstring, it may find its best match among those who are overfond of luxury and material things, and less scrupulous than they should be about how they are obtained. Conversely, three successive heads of the Wizengamot have possessed chestnut and unicorn wands, for this combination shows a predilection for those concerned with all manner of justice.

Cypress; Cypress wands are associated with nobility. The great medieval wandmaker, Geraint Ollivander, wrote that he was always honoured to match a cypress wand, for he knew he was meeting a witch or wizard who would die a heroic death. Fortunately, in these less blood-thirsty times, the possessors of cypress wands are rarely called upon to lay down their lives, though doubtless many of them would do so if required. Wands of cypress find their soul mates among the brave, the bold and the self-sacrificing: those who are unafraid to confront the shadows in their own and others’ natures.

Dogwood; Dogwood is one of my own personal favourites, and I have found that matching a dogwood wand with its ideal owner is always entertaining. Dogwood wands are quirky and mischievous; they have playful natures and insist upon partners who can provide them with scope for excitement and fun. It would be quite wrong, however, to deduce from this that dogwood wands are not capable of serious magic when called upon to do so; they have been known to perform outstanding spells under difficult conditions, and when paired with a suitably clever and ingenious witch or wizard, can produce dazzling enchantments. An interesting foible of many dogwood wands is that they refuse to perform non-verbal spells and they are often rather noisy.

Ebony; This jet-black wand wood has an impressive appearance and reputation, being highly suited to all manner of combative magic, and to Transfiguration. Ebony is happiest in the hand of those with the courage to be themselves. Frequently non-conformist, highly individual or comfortable with the status of outsider, ebony wand owners have been found both among the ranks of the Order of the Phoenix and among the Death Eaters. In my experience the ebony wand’s perfect match is one who will hold fast to his or her beliefs, no matter what the external pressure, and will not be swayed lightly from their purpose.

Elm; The unfounded belief that only pure-bloods can produce magic from elm wands was undoubtedly started by some elm wand owner seeking to prove his own blood credentials, for I have known perfect matches of elm wands who are Muggle-borns. The truth is that elm wands prefer owners with presence, magical dexterity and a certain native dignity. Of all wand woods, elm, in my experience, produces the fewest accidents, the least foolish errors, and the most elegant charms and spells; these are sophisticated wands, capable of highly advanced magic in the right hands (which, again, makes it highly desirable to those who espouse the pure-blood philosophy).

English Oak; A wand for good times and bad, this is a friend as loyal as the wizard who deserves it. Wands of English oak demand partners of strength, courage and fidelity. Less well-known is the propensity for owners of English oak wands to have powerful intuition, and, often, an affinity with the magic of the natural world, with the creatures and plants that are necessary to wizardkind for both magic and pleasure. The oak tree is called King of the Forest from the winter solstice up until the summer solstice, and its wood should only be collected during that time (holly becomes King as the days begin to shorten again, and so holly should only be gathered as the year wanes. This divide is believed to be the origin of the old superstition, “when his wand’s oak and hers is holly, then to marry would be folly,” a superstition that I have found baseless). It is said that Merlin’s wand was of English oak (though his grave has never been found, so this cannot be proven).

Fir; My august grandfather, Gerbold Octavius Ollivander, always called wands of this wood ‘the survivor’s wand,’ because he had sold it to three wizards who subsequently passed through mortal peril unscathed. There is no doubt that this wood, coming as it does from the most resilient of trees, produces wands that demand staying power and strength of purpose in their true owners, and that they are poor tools in the hands of the changeable and indecisive. Fir wands are particularly suited to Transfiguration, and favour owners of focused, strong-minded and, occasionally, intimidating demeanour.

Hawthorn; The wandmaker Gregorovitch wrote that hawthorn ‘makes a strange, contradictory wand, as full of paradoxes as the tree that gave it birth, whose leaves and blossoms heal, and yet whose cut branches smell of death.’ While I disagree with many of Gregorovitch’s conclusions, we concur about hawthorn wands, which are complex and intriguing in their natures, just like the owners who best suit them. Hawthorn wands may be particularly suited to healing magic, but they are also adept at curses, and I have generally observed that the hawthorn wand seems most at home with a conflicted nature, or with a witch or wizard passing through a period of turmoil. Hawthorn is not easy to master, however, and I would only ever consider placing a hawthorn wand in the hands of a witch or wizard of proven talent, or the consequences might be dangerous. Hawthorn wands have a notable peculiarity: their spells can, when badly handled, backfire.

Hazel; A sensitive wand, hazel often reflects its owner’s emotional state, and works best for a master who understands and can manage their own feelings. Others should be very careful handling a hazel wand if its owner has recently lost their temper, or suffered a serious disappointment, because the wand will absorb such energy and discharge it unpredictably. The positive aspect of a hazel wand more than makes up for such minor discomforts, however, for it is capable of outstanding magic in the hands of the skillful, and is so devoted to its owner that it often ‘wilts’ (which is to say, it expels all its magic and refuses to perform, often necessitating the extraction of the core and its insertion into another casing, if the wand is still required) at the end of its master’s life (if the core is unicorn hair, however, there is no hope; the wand will almost certainly have ‘died’). Hazel wands also have the unique ability to detect water underground, and will emit silvery, tear-shaped puffs of smoke if passing over concealed springs and wells.

Holly; Holly is one of the rarer kinds of wand woods; traditionally considered protective, it works most happily for those who may need help overcoming a tendency to anger and impetuosity. At the same time, holly wands often choose owners who are engaged in some dangerous and often spiritual quest. Holly is one of those woods that varies most dramatically in performance depending on the wand core, and it is a notoriously difficult wood to team with phoenix feather, as the wood’s volatility conflicts strangely with the phoenix’s detachment. In the unusual event of such a pairing finding its ideal match, however, nothing and nobody should stand in their way.

Hornbeam; My own wand is made of hornbeam, and so it is with all due modesty that I state that hornbeam selects for its life mate the talented witch or wizard with a single, pure passion, which some might call obsession (though I prefer the term ‘vision’), which will almost always be realised. Hornbeam wands adapt more quickly than almost any other to their owner’s style of magic, and will become so personalised, so quickly, that other people will find them extremely difficult to use even for the most simple of spells. Hornbeam wands likewise absorb their owner’s code of honour, whatever that might be, and will refuse to perform acts - whether for good or ill - that do not tally with their master’s principles. A particularly fine-tuned and sentient wand.

Larch; Strong, durable and warm in colour, larch has long been valued as an attractive and powerful wand wood. Its reputation for instilling courage and confidence in the user has ensured that demand has always outstripped supply. This much sought-after wand is, however, hard to please in the matter of ideal owners, and trickier to handle than many imagine. I find that it always creates wands of hidden talents and unexpected effects, which likewise describes the master who deserves it. It is often the case that the witch or wizard who belongs to the larch wand may never realise the full extent of their considerable talents until paired with it, but that they will then make an exceptional match.

Laurel; It is said that a laurel wand cannot perform a dishonourable act, although in the quest for glory (a not uncommon goal for those best suited to these wands), I have known laurel wands perform powerful and sometimes lethal magic. Laurel wands are sometimes called fickle, but this is unfair. The laurel wand seems unable to tolerate laziness in a possessor, and it is in such conditions that it is most easily and willingly won away. Otherwise, it will cleave happily to its first match forever, and indeed has the unusual and engaging attribute of issuing a spontaneous lightning strike if another witch or wizard attempts to steal it.

Maple; I have often found that those chosen by maple wands are by nature travellers and explorers; they are not stay-at-home wands, and prefer ambition in their witch or wizard, otherwise their magic grows heavy and lacklustre. Fresh challenges and regular changes of scene cause this wand to literally shine, burnishing itself as it grows, with its partner, in ability and status. This is a beautiful and desirable wood, and wand quality maple has been among the most costly for centuries. Possession of a maple wand has long been a mark of status, because of its reputation as the wand of high achievers.

Pear; This golden-toned wood produces wands of splendid magical powers, which give of their best in the hands of the warm-hearted, the generous and the wise. Possessors of pear wands are, in my experience, usually popular and well-respected. I do not know of a single instance where a pear wand has been discovered in the possession of a Dark witch or wizard. Pear wands are among the most resilient, and I have often observed that they may still present a remarkable appearance of newness, even after many years of hard use.

Pine; The straight-grained pine wand always chooses an independent, individual master who may be perceived as a loner, intriguing and perhaps mysterious. Pine wands enjoy being used creatively, and unlike some others, will adapt unprotestingly to new methods and spells. Many wandmakers insist that pine wands are able to detect, and perform best for, owners who are destined for long lives, and I can confirm this in as much as I have never personally known the master of a pine wand to die young. The pine wand is one of those that is most sensitive to non-verbal magic.

Poplar; “If you seek integrity, search first among the poplars,” was a great maxim of my grandfather, Gerbold Ollivander, and my own experience of poplar wands and their owners tallies exactly with his. Here is a wand to rely upon, of consistency, strength and uniform power, always happiest when working with a witch or wizard of clear moral vision. There is a tired old joke among lesser wandmakers that no poplar wand has ever chosen a politician, but here they show their lamentable ignorance: two of the Ministry’s most accomplished Ministers for Magic, Eldritch Diggory and Evangeline Orpington, were the possessors of fine, Ollivander-made poplar wands.

Red Oak; You will often hear the ignorant say that red oak is an infallible sign of its owner’s hot temper. In fact, the true match for a red oak wand is possessed of unusually fast reactions, making it a perfect duelling wand. Less common than English oak, I have found that its ideal master is light of touch, quick-witted and adaptable, often the creator of distinctive, trademark spells, and a good man or woman to have beside one in a fight. Red oak wands are, in my opinion, among the most handsome.

Redwood; Wand-quality redwood is in short supply, yet constant demand, due to its reputation for bringing good fortune to its owner. As is usually the case with wandlore, the general populace have the truth back to front: redwood wands are not themselves lucky, but are strongly attracted to witches and wizards who already possess the admirable ability to fall on their feet, to make the right choice, to snatch advantage from catastrophe. The combination of such a witch or wizard with a redwood wand is always intriguing, and I generally expect to hear of exciting exploits when I send this special pairing out from my workshop.

Rowan; Rowan wood has always been much-favoured for wands, because it is reputed to be more protective than any other, and in my experience renders all manner of defensive charms especially strong and difficult to break. It is commonly stated that no Dark witch or wizard ever owned a rowan wand, and I cannot recall a single instance where one of my own rowan wands has gone on to do evil in the world. Rowan is most happily placed with the clear-headed and the pure-hearted, but this reputation for virtue ought not to fool anyone - these wands are the equal of any, often the better, and frequently out-perform others in duels.

Silver lime; This unusual and highly attractive wand wood was greatly in vogue in the nineteenth century. Demand outstripped supply, and unscrupulous wandmakers dyed substandard woods in an effort to fool purchasers into believing that they had purchased silver lime. The reasons for these wands’ desirability lay not only in their unusually handsome appearance, but also because they had a reputation for performing best for Seers and those skilled in Legilimency, mysterious arts both, which consequently gave the possessor of a silver lime wand considerable status. When demand was at its height, wandmaker Arturo Cephalopos claimed that the association between silver lime and clairvoyance was ‘a falsehood circulated by merchants like Gerbold Ollivander (my own grandfather), who have overstocked their workshops with silver lime and hope to shift their surplus.’ But Cephalopos was a slipshod wandmaker and an ignoramus, and nobody, Seer or not, was surprised when he went out of business.

Spruce; Unskilled wandmakers call spruce a difficult wood, but in doing so they reveal their own ineptitude. It is quite true that it requires particular deftness to work with spruce, which produces wands that are ill-matched with cautious or nervous natures, and become positively dangerous in fumbling fingers. The spruce wand requires a firm hand, because it often appears to have its own ideas about what magic it ought to be called upon to produce. However, when a spruce wand meets its match - which, in my experience, is a bold spell-caster with a good sense of humour - it becomes a superb helper, intensely loyal to their owners and capable of producing particularly flamboyant and dramatic effects.

Sycamore; The sycamore makes a questing wand, eager for new experience and losing brilliance if engaged in mundane activities. It is a quirk of these handsome wands that they may combust if allowed to become ‘bored,’ and many witches and wizards, settling down into middle age, are disconcerted to find their trusty wand bursting into flame in their hand as they ask it, one more time, to fetch their slippers. As may be deduced, the sycamore’s ideal owner is curious, vital and adventurous, and when paired with such an owner, it demonstrates a capacity to learn and adapt that earns it a rightful place among the world’s most highly-prized wand woods.

Vine; The druids considered anything with a woody stem as a tree, and vine makes wands of such a special nature that I have been happy to continue their ancient tradition. Vine wands are among the less common types, and I have been intrigued to notice that their owners are nearly always those witches or wizards who seek a greater purpose, who have a vision beyond the ordinary and who frequently astound those who think they know them best. Vine wands seem strongly attracted by personalities with hidden depths, and I have found them more sensitive than any other when it comes to instantly detecting a prospective match. Reliable sources claim that these wands can emit magical effects upon the mere entrance into their room of a suitable owner, and I have twice observed the phenomenon in my own shop.

Walnut; Highly intelligent witches and wizards ought to be offered a walnut wand for trial first, because in nine cases out of ten, the two will find in each other their ideal mate. Walnut wands are often found in the hands of magical innovators and inventors; this is a handsome wood possessed of unusual versatility and adaptability. A note of caution, however: while some woods are difficult to dominate, and may resist the performance of spells that are foreign to their natures, the walnut wand will, once subjugated, perform any task its owner desires, provided that the user is of sufficient brilliance. This makes for a truly lethal weapon in the hands of a witch or wizard of no conscience, for the wand and the wizard may feed from each other in a particularly unhealthy manner.

Willow; Willow is an uncommon wand wood with healing power, and I have noted that the ideal owner for a willow wand often has some (usually unwarranted) insecurity, however well they may try and hide it. While many confident customers insist on trying a willow wand (attracted by their handsome appearance and well-founded reputation for enabling advanced, non-verbal magic) my willow wands have consistently selected those of greatest potential, rather than those who feel they have little to learn. It has always been a proverb in my family that he who has furthest to travel will go fastest with willow.

Yew; Yew wands are among the rarer kinds, and their ideal matches are likewise unusual, and occasionally notorious. The wand of yew is reputed to endow its possessor with the power of life and death, which might, of course, be said of all wands; and yet yew retains a particularly dark and fearsome reputation in the spheres of duelling and all curses. However, it is untrue to say (as those unlearned in wandlore often do) that those who use yew wands are more likely to be attracted to the Dark Arts than another. The witch or wizard best suited to a yew wand might equally prove a fierce protector of others. Wands hewn from these most long-lived trees have been found in the possession of heroes quite as often as of villains. Where wizards have been buried with wands of yew, the wand generally sprouts into a tree guarding the dead owner’s grave. What is certain, in my experience, is that the yew wand never chooses either a mediocre or a timid owner."
-- Mr. Garrick Ollivander, wandmaker

If you are interested in giving your character a special ability, please consult the list below. If the position is full, then you may not apply for that ability any more. If you have any questions, please feel free to pm one of the staff members immediately.
Credits: J.K. Rowling & Warner Bros., Oliver Cromwell at Magical Mayhem and The Harry Potter Lexicon.

ANIMAGI
An animagus can take the form of a single animal. This animal always has distinguishing marks that are representative of the witch or wizard. Training to become an animagus takes time and practice. It is a highly advanced form of Transfiguration that requires registration with the ministry of magic.

Special requirements: Your character must be above the age of twenty and has graduated with honors in Transfiguration. Character must be registered with the Ministry. Hogwarts students may be animagus, but shall be deemed animagus in training until their graduation.
Available: 4/4

LEGILIMENCY
It is the ability to extract “emotions and memories” from someone. A legilimens cannot extract emotions/memories in the sense that they remove said memories – they can simply read and interpret them. It is easier to use legilimency on someone who is relaxed or weakened in some way. Eye contact is almost always required. Very few legilimens can enter someone’s mind without eye contact; however, they must be near the person they are using their talent on. Legilimency brings memories to the surface of someone’s mind; however, because the mind is a complex place, these memories are not always relevant. The memory that a legilimens is looking for needs to be brought to the front of someone’s mind before it can be read.

•A legilimens can plant false memories into someone’s head, but they cannot erase true memories.
•Legilimency must be taught. It is not inherited.
•Legilimency is not taught at Hogwarts.

Special requirements: Your character must be above the age of fifteen and must have learned this ability outside of Hogwarts.
Available: 6/6

METAMORPHMAGI
Metamorphmagi are born not made. They have the ability to change their appearance by willing the change to happen. You can not suddenly become a metamorphmagus.

Special requirements: Your character must have inherited this ability, either from parents or grandparents.
Available: 4/4

OCCLUMENCY
Occlumency is a branch of magic used to block the mental intrusion of a legilimens and other branches of magic meant to penetrate the mind. It is the only way to block the attack of a legilimens without avoiding physical nearness and eye contact. An occlumens must be able to fully clear their mind giving the legilimens nothing to latch onto. Only masters of occlumency can create false emotions and memories that are concrete enough to fool a legilimens.

•Occlumency is not taught at Hogwarts.

Special requirements: Your character must be over the age of fifteen and must have learned this ability outside of Hogwarts.
Available: 6/6

SEER
True Seers are very rare. They have the ability to "see" the future and to make vague and cryptic prophecies about the future.

Special requirements: This ability is quite rare. There are only two available in Hogwarts and three in the wizarding community.
Available: 5/5

VAMPIRE
Vampires are considered “non-wizard part-humans” by the Ministry of Magic. They are highly regulated, taxed, and monitored by the ministry under new Anti-Vampire laws. The largest Vampire covens are located in Romania and Transylvania, because those countries are the two most tolerant of their kind.

•Pure silver can harm a vampire, the reaction of silver is much like a burn.
•Garlic does nothing to a vampire
•Centaurs believe that vampires go against nature
•The hands of a vampire are typically icy cold
•Sunlight can severely hurt a vampire depending on age and time of day (The older a vampire, the more sunlight they can withstand and the earlier the day, the worse the sun hurts)
•Typically vampires are stronger than humans
•Vampires heal more quickly than humans
•Vampires can be harmed by spells but they recover much quicker than a human
•Vampires have the ability to read minds
•A vampire can only be killed by driving a wooden stake through its heart, or decapitation.
•They are naturally pale and when malnourished appear sickly
•Though they can eat regular food, vampires are sustained by blood alone
•Senses as a vampire are heightened
•Children of Vampires do not become vampires; they must be bitten
•When a human is bitten, the Vampire’s venom enters their bloodstream and the transformation begins immediately. This process would be agonizing and takes about five to ten minutes.

THEY DO NOT
•Fly
•Have special powers
•Control minds
•Sparkle

Special requirements: Unless indicated on the Canon list, no other students may be vampires.
Available: 14/15

VEELA
Full Veela throw handfuls of fire when angry. Their faces change to a birdlike appearance, and they sprout scaly wings. These changes disappear when the veela calms down. Veela have a natural affinity for nature and draw men to them easily.

•Veela in “human” form are very beautiful.
•Part Veela do not change when they are angry.

Special requirements: This ability is hereditary, not made. Any veela less than half are not considered on the ability list.
Available: 10/10

WEREWOLF
Werewolves are created by being bitten by another werewolf (they must be fully transformed for the full changes to occur). Once a person is bitten they will change into a wolf at the full moon. If a werewolf does not take the wolfsbane potion they lose all human awareness taking on the characteristics of wolf. Wolfsbane potion can be used to keep the human part of the person intact during the full moon. Someone who takes the wolfsbane potion on a regular basis can delay their transformation until they are exposed to moonlight (though this varies from werewolf to werewolf). Werewolves can be easily distinguished from regular wolves by several small distinguishing characteristics, such as the pupils of the eyes, the snout shape, and the tufted tail.

•Werewolves are heavily regulated by the Minsitry of Magic.
•Children of werewolves do not transform into werewolves. They may or may not show some werewolf habits (Stiffness around the full moon, aggressive behavior, increased irritability, fatigue)
•There is no cure for lycanthropy
•Werewolves are not affected by silver, contrary to what muggles believe

Special requirements: Unless listed in the Canon list, no other students may be werewolves (unless bitten - stated in their history, at least two detailed paragraphs).
Available: 10/10

Here is the key:
---- ---- LAST is open
FIRST M. LAST is taken
---- ---- LAST is reserved
FIRST M. LAST is deceased
**Wanted characters will have their names linked to the wanted ad.


ABERCROMBIE

Euan Abercrombie, 39, Half
Susan Abercrombie (nee Bones), 41, Pure
---- ---- Abercrombie, 16, G, Gryffindor, Half
---- ---- Abercrombie, 15, B, Hufflepuff, Half
---- ---- Abercrombie, 14, B, Gryffindor, Half

ACKERLY

Stewart Ackerly, 40, Half
Rose Ackerly (nee Zeller), 39, Muggleborn
---- ---- Ackerly, 16, B, Ravenclaw, Half
---- ---- Ackerly, 15, B, Hufflepuff, Half

AVERY

Agrius Avery, 45, Pure
Eupheme Avery (nee Warrington), 44, Pure
---- ---- Avery, 19, B, Slytherin, Pure, graduated
---- ---- Avery, 17, B, Slytherin, Pure
---- ---- Avery, 16, B, Slytherin, Pure
---- ---- Avery, 14, G, Hufflepuff, Pure

BADDOCK

Malcolm Baddock, 40, Pure
Millicent Baddock (nee Bulstrode), 41, Pure
---- ---- Baddock, 17, B, Slytherin, Pure
---- ---- Baddock, 15, B, Gryffindor, Pure
---- ---- Baddock, 14, B, Gryffindor, Pure

BAGNOLD

Darby Bagnold, 49, Half
Anita Bagnold (nee Scrimgeour), 48, Half
---- ---- Bagnold, 21, B, Ravenclaw, Half, graduated
---- ---- Bagnold, 19, B, Ravenclaw, Half, graduated
ALISSA M. BAGNOLD , 17, G, Ravenclaw, Half
APRIL E. BANGOLD , 15, G, Ravenclaw, Half

BELBY

Marcus Belby, 43, Half
Caroline Belby (nee Dewhurst), 41, Muggle
---- ---- Belby, 16, G, Ravenclaw, Half
---- ---- Belby, 15, G, Hufflepuff, Half
---- ---- Belby, 14, B, Hufflepuff, Half

BLACK

Arcturus Black, 43, Pure
Seraphina Black (nee Harper), 41, Pure
---- ---- Black, 17, B, Hufflepuff, Pure
---- ---- Black, 16, G, Ravenclaw, Pure
---- ---- Black, 15, G, Hufflepuff, Pure, Twin
---- ---- Black, 15, B, Hufflepuff, Pure, Twin
---- ---- Black, 14, G, Ravenclaw, Pure

BLETCHLY

Miles Bletchly, 44, Pure
Josephine Bletchly (nee Rosier), 42, Pure
---- ---- Bletchly, 17, G, Slytherin, Pure, twins
---- ---- Bletchly, 17, G, Slytherin, Pure, twins
---- ---- Bletchly, 15, G, Gryffindor, Pure, twins
---- ---- Bletchly, 15, G, Gryffindor, Pure, twins

BODE

Barnabus Bode, 45, Half
Sophia Bode (nee Milton), 43, Half
---- ---- Bode, 17, G, Ravenclaw, Half
---- ---- Bode, 16, G, Ravenclaw, Half
---- ---- Bode, 15, B, Ravenclaw, Half

BOLE

Perecles Bole, 45, Pure
Clio Bole (nee Nott), 43, Pure
---- ---- Bole, 17, B, Ravenclaw, Pure
---- ---- Bole, 16, G, Slytherin, Pure

BOOT

Terry Boot, 41, Muggleborn
Romilda Boot (nee Vane), 39, Half
---- ---- Boot, 16, B, Ravenclaw, Half
---- ---- Boot, 15, B, Hufflepuff, Half
Children are biracial

CADWALLADER

Timothy Cadwallader, 40, Half
Su Cadwallader (nee Li), 40, Half
---- ---- Cadwallader, 17, G, Hufflepuff, Half
---- ---- Cadwallader, 16, G, Hufflepuff, Half
---- ---- Cadwallader, 15, B, Hufflepuff, Half
Children are biracial

CARMICHAEL

Eddie Carmichael, 43, Half
Sally-Anne Carmichael (nee Perks), 42, Muggleborn
---- ---- Carmichael, 17, B, Gryffindor, Half
---- ---- Carmichael, 16, G, Gryffindor, Half
---- ---- Carmichael, 15, B, Gryffindor, Half

CAULDWELL

Owen Cauldwell, 41, Half
Lisa Cauldwell (nee Turpin), 41, Half
---- ---- Cauldwell, 17, B, Gryffindor, Half
---- ---- Cauldwell, 16, G, Ravenclaw, Half
---- ---- Cauldwell, 15, G, Hufflepuff, Half

COOTE

Ritchie Coote, 41, Half
Erica Coote (nee Sorin), 41, Muggle
---- ---- Coote, 17, B, Gryffindor, Half
Children are biracial

CORNER

Michael Corner, 43, Half
Kelly Corner (nee Harper), 42, Half
---- ---- Corner, 17, B, Gryffindor, Half
---- ---- Corner, 16, G, Ravenclaw, Half
---- ---- Corner, 15, B, Gryffindor, Half
---- ---- Corner, 14, G, Ravenclaw, Half
Children are biracial

CREEVEY

Dennis Creevey, 39, Muggleborn
Gabrielle Creevey (nee Delacour), 37, Pure
---- ---- Creevey, 14, B, Gryffindor, Half, twins 1/8 Veela
---- ---- Creevey, 14, B, Gryffindor, Half, twins 1/8 Veela

DAVIES

Roger Davies, 45, Half
Penelope Davies (nee Clearwater), 45, Half
---- ---- Davies, 19, G, Hufflepuff, Half, graduated
---- ---- Davies, 15, B, Ravenclaw, Half

D'EATH

Lorcan d'Eath, 45 (3,000) Tainted, Vampire
Various women
---- ---- d'Eath, 19 (500), G, Graduated, Tainted, Vampire
---- ---- d'Eath, 17 (150), G, Hufflepuff, Tainted, Half-Vampire
---- ---- d'Eath, 17 (200), B, Ravenclaw, Tainted, Half-Vampire
---- ---- d'Eath, 16 (75), G, Gryffindor, Tainted, Half-Vampire
---- ---- d'Eath, 16 (300), B, Slytherin, Tainted, Half-Vampire
---- ---- d'Eath, 15 (157), G, Ravenclaw, Tainted, Half-Vampire
---- ---- d'Eath, 15 (275), B, Ravenclaw, Tainted, Half-Vampire
---- ---- d'Eath, 14 (25), G, Hufflepuff, Tainted, Half-Vampire
---- ---- d'Eath, 14 (98), B, Gryffindor, Tainted, Half-Vampire
*Students have no relations to each other, only last name.
**---- ---- d'Eath, 19 (500), G, Graduated, Tainted, Vampire was BITTEN not born.

DERRICK

Aaron Derrick, 41, Pure
Louisa Derrick (nee Baddock), 40, Pure
---- ---- Derrick, 17, B, Slytherin, Pure
---- ---- Derrick, 16, B, Slytherin, Pure
---- ---- Derrick, 15, G, Slytherin, Pure
---- ---- Derrick, 14, G, Slytherin, Pure

DOLOHOV

Frederick Dolohov, 47, Pure
Althea Dolohov (nee Pucey), 45, Pure
---- ---- Dolohov, 17, B, Slytherin, Pure
---- ---- Dolohov, 16, B, Slytherin, Pure
---- ---- Dolohov, 15, B, Slytherin, Pure
Indirectly related to Antonin Dolohov

FINCH-FLETCHLEY

Justin Finch-Fletchley, 41, Muggleborn
Emma Finch-Fletchley (nee Dobbs), 41, Half
---- ---- Finch-Fletchley, 17, B, Gryffindor, Half
---- ---- Finch-Fletchley, 16, G, Gryffindor, Half
---- ---- Finch-Fletchley, 15, G, Hufflepuff, Half

FINNIGAN

Seamus Finnigan, 41, Half
Mandy Finnigan (nee Brocklehurst), 41, Muggleborn
---- ---- Finnigan, 17, B, Ravenclaw, Half
---- ---- Finnigan, 16, B, Ravenclaw, Half
---- ---- Finnigan, 15, G, Gryffindor, Half

FLINT
Marcus Flint, 44, Pure
Pansy (nee Parkinson), 41, Pure
---- ---- Flint, 17, B, Slytherin, Pure
---- ---- Flint, 16, G, Slytherin, Pure
---- ---- Flint, 15, B, Slytherin, Pure
---- ---- Flint, 14, B, Slytherin, Pure

GOLDSTEIN

Anthony Goldstein, 41, Muggleborn
Eleanor Goldstein (nee Branstone), 41, Muggleborn
---- ---- Goldstein, 17, B, Ravenclaw, Half
---- ---- Goldstein, 16, G, Hufflepuff, Half, twin
---- ---- Goldstein, 16, B, Gryffindor, Half, twin

GOYLE

Gregory Goyle, 41, Pure
Daphne Goyle (nee Greengrass), 41, Pure
---- ---- Goyle, 17, G, Hufflepuff, Pure
---- ---- Goyle, 16, G, Hufflepuff, Pure
---- ---- Goyle, 15, G, Hufflepuff, Pure

GREYBACK

Fenrir Greyback, Tainted, Werewolf
Various Women
---- ---- Greyback, 24, G, Slytherin, Tainted, Half-werewolf
---- ---- Greyback, 22, B, Gryffindor, Tainted , Half-werewolf
---- ---- Greyback, 22, G, Hufflepuff, Tainted,Half-werewolf
---- ---- Greyback, 17, G, Slytherin, Tainted , Half-werewolf
---- ---- Greyback, 16, B, Ravenclaw, Tainted, Half-werewolf
---- ---- Greyback, 15, B, Ravenclaw, Tainted, Half-werewolf
---- ---- Greyback, 14, G, Gryffindor, Tainted, Half-werewolf
---- ---- Greyback, 14, B, Hufflepuff, Tainted, Half-werewolf

HARPER

Gordon Harper, 41, Half
Teresa Harper (nee Towler), 41, Pure
---- ---- Harper, 17, B, Ravenclaw, Half
---- ---- Harper, 16, G, Slytherin, Half
Children are biracial

HIGGS

Terence Higgs, 42, Half
Dorianna Higgs (nee Avery), 41, Pure
---- ---- Higgs, 17, G, Ravenclaw, Half
---- ---- Higgs, 16, G, Slytherin, Half
---- ---- Higgs, 15, B, Slytherin, Half
---- ---- Higgs, 14, G, Hufflepuff, Half

HODGKINS

Arthur Hodgkins, 42, Muggle
Cho Hodgkins (nee Chang), 42, Half
---- ---- Hodgkins, 15, B, Hufflepuff, Half
Children are biracial

HOOPER

Geoffrey Hooper, 42, Half
Jennifer Hooper (nee Poynter), 41, Muggle
---- ---- Hooper, 17, B, Hufflepuff, Half
---- ---- Hooper, 16, G, Gryffindor, Half
---- ---- Hooper, 15, B, Gryffindor, Half
---- ---- Hooper, 14, G, Hufflepuff, Half

JORDAN

Lee Jordan, 46, Half
Alicia Jordan (nee Spinnet), 46, Half
---- ---- Jordan, 17, B, Gryffindor, Half
---- ---- Jordan, 16, G, Slytherin, Half
Children are biracial

JUGSON

Ulysses Jugson, 48, Half
Veronica Jugson (nee Borgin), 47, Half
---- ---- Jugson, 21, B, Slytherin, Half, graduated
---- ---- Jugson, 19, B, Slytherin, Half, graduated
---- ---- jugson, 16, G, Slytherin, Half
Indirectly related to the Death Eater Jugson

KIRKE

Andrew Kirke, 44, Muggleborn
Laura Kirke (nee Madly), 41, Muggleborn
---- ---- Kirke, 17, B, Hufflepuff, Half
---- ---- Kirke, 16, G, Gryffindor, Half
---- ---- Kirke, 15, G, Gryffindor, Half

KRUM

Viktor Krum, 47, Half
Elena Krum (nee Velichkov), 47, Half
---- ---- Krum, 17, G, Ravenclaw, Half
---- ---- Krum, 16, G, Gryffindor, Half
---- ---- Krum, 15, G, Slytherin, Half
---- ---- Krum, 14, G, Hufflepuff, Half
Both parents are of Bulgarian descent

LESTRANGE

Rabastan Lestrange, 68, Pure
Alecto Lestrange (nee Carrow), 50, Pure
---- ---- Lestrange, 26, B, Slytherin, Pure, graduated
---- ---- Lestrange, 22, B, Slytherin, Pure, graduated
---- ---- Lestrange, 17, G, Slytherin, Pure

LONGBOTTOM

NEVILLE F. LONGBOTTOM, 41, Pure
Hannah Longbottom (nee Abbott), 41, Half
children are fraternal twins
---- ---- Longbottom, 17, G, Hufflepuff, Half, twin
---- ---- Longbottom, 17, B, Gryffindor, Half, twin
---- ---- Longbottom, 15, B, Ravenclaw, Half
---- ---- Longbottom, 14, G, Hufflepuff, Half

LUPIN

Remus Lupin, werewolf
Nymphadora Tonks, metamorphmagus
Theodore R. Lupin, 24, B, Gryffindor Alumni, Half, metamorphmagus

01. Respect. Respect is rule number one here and is by far the most important rules at Magical Freedom. We pride ourselves on respect to guests, members, and staff. If a member is bullying you, or neglecting this rule in any way, please advise one of the administration members and they will see to the problem.

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03. Accounts. You may only begin with four accounts, two males and two females. Staff have been bumped to five accounts, either three male/females and two males/females. This is simply to ensure activity and help keep face claims open. If you are wanting to create another character, please message the main admin for approval. An assessment of all accounts will be made to determine whether or not you are illegible for another account.

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